Pesan Ukhuwah Islamiyah Pada Film Cahaya Cinta Pesantren Karya Ira Madan: Analisis Semiotika Roland Barthes
DOI:
https://doi.org/10.35870/jtik.v8i3.2761Keywords:
Ukhuwah Islamiyah, Wide Screen, Roland Bathers SemioticsAbstract
Ukhuwah Islamiyah is a unique concept in Islamic culture that establishes brotherhood between Muslims based on Islamic beliefs and teachings. It is hoped that this brotherhood can become a basis for unity, solidarity, mutual cooperation, strengthening and respecting differences in everyday life. As social creatures we need to blend in with the surrounding environment, in this case introduction or ta'aruf is the main basis for getting to know and understand each other. Namely how we feel about the burdens, difficulties and even happiness that we can carry together so that we can create a society with strong Islamic brotherhood. Rasulullah SAW likened a Muslim and other Muslims to one body, if his brother feels pain then he also feels the same thing. Like in the film Cahaya Cinta Pesantren by Ira Madan, we can find many values of Islamic brotherhood in it. In this research, a qualitative method was used using Roland Bathers' semiotic method. There are three aspects that show that the film "Cahaya Cinta Pesantren" not only has a general meaning but also has denotation, connotation and myth.
Downloads
References
Amalia, M. (2020). Mempererat Ukhuwah Islamiyah di Masa Pandemi Covid-19. Makmood Publishing.
Harun, R., & Ardianto, E. (2011). Komunikasi pembangunan & perubahan sosial: perspektif dominan, kaji ulang, dan teori kritis. Rajawali Pers.
NURHAYATI, D. (2020). PESAN DAKWAH DALAM NOVEL CINTA SUCI ZAHRANA KARYA HABIBBURRAHMAN EL SHIRAZY (Doctoral dissertation, UIN Raden Intan Lampung).
Akbar, S. (2021). Media komunikasi dalam mendukung penyebarluasan informasi penanggulangan pandemi COVID-19. Majalah Semi Ilmiah Populer Komunikasi Massa, 2(1).
Anshori, C. S. (2016). Ukhuwah islamiyah sebagai fondasi terwujudnya organisasi yang mandiri dan profesional. Taklim: Jurnal Pendidikan Agama Islam, 14(1), 117-125. DOI: https://doi.org/10.17509/tk.v14i1.50298.
Azahra, T., Nura, T. S. A., Rizal, A. S., & Budiyanti, N. (2023). Media Sosial sebagai Perekat Ukhuwah Islamiyah. Sosio Religi: Jurnal Kajian Pendidikan Umum, 21(1). DOI: https://doi.org/10.17509/sosio%20religi.v21i1.58965.
Caniago, A., & Hero, E. (2022). Fenomena Mengunggah Film Pendek di Media Sosial pada Mahasiswa Komunikasi Universitas Islam Riau. Journal of Social Media and Message, 1(1), 24-35.
Dwiyanto, D. (2002). Metode Kualitatif: Penerapannya dalam Penelitian. Diakses dari: https://www. academia. edu/download…, 0, 1-7.
Fahida, S. N. (2021). Analisis Semiotika Roland Barthes pada Film “Nanti Kita Cerita Hari Ini”(NKCTHI) Karya Angga Dwimas Sasongko. Cinematology: Journal Anthology of Film and Television Studies, 1(2), 33-42. DOI: https://doi.org/10.17509/ftv-upi.v1i2.40622.
Fauzan, A. Analisis Semiotika Roland Barthes Atas Konsep Wali dalam kitab Ihya'Ulumuddin.
Huda, S. U. (2021). Hadis Azimat Perspektif Semiotik Roland Barthes. Poros Onim, 2(1), 70-85. DOI: 10.53491/porosonim.v2i1.36.
Marhaban, M. (2019). Membina Ukhuwah Islamiyah Berdasarkan Petunjuk Alquran. Jurnal At-Tibyan: Jurnal Ilmu Alqur’an Dan Tafsir, 4(2), 343-357.
Nilawati, S., & Sadik, M. (2024). Konsep Al-Ukhuwah dalam Al-Qur'an (Studi Tafsir Tematik). Jurnal Ilmu Sosial dan Humaniora, 2(1), 1-6. DOI: https://doi.org/10.58540/isihumor.v2i1.494.
Nur, E. (2021). Peran media massa dalam menghadapi serbuan media online. Majalah Semi Ilmiah Populer Komunikasi Massa, 2(1).
Rahman, A. S., & Sadewa, M. A. (2020). Makna Ukhuwah dalam Al-Qur’ an Perspektif M. Quraish Shihab (Analisis Tafsir Tematik). JURNAL ILMU AL-QUR'AN DAN TAFSIR NURUL ISLAM SUMENEP, 5(1), 1-78.
Hidayat, R. (2022). Toleransi Dan Moderasi Beragama. GUAU: Jurnal Pendidikan Profesi Guru Agama Islam, 2(2), 49-60.
Nur, M. J. (2020, May). Da’wah in Form of Ukhuwah Islamiyah. In 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019) (pp. 941-946). Atlantis Press. DOI: 10.2991/assehr.k.200529.198.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Jirza Raisa Fahira, Faridah
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. Copyright Retention and Open Access License
Authors retain copyright of their work and grant the journal non-exclusive right of first publication under the Creative Commons Attribution 4.0 International License (CC BY 4.0).
This license allows unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
2. Rights Granted Under CC BY 4.0
Under this license, readers are free to:
- Share — copy and redistribute the material in any medium or format
- Adapt — remix, transform, and build upon the material for any purpose, including commercial use
- No additional restrictions — the licensor cannot revoke these freedoms as long as license terms are followed
3. Attribution Requirements
All uses must include:
- Proper citation of the original work
- Link to the Creative Commons license
- Indication if changes were made to the original work
- No suggestion that the licensor endorses the user or their use
4. Additional Distribution Rights
Authors may:
- Deposit the published version in institutional repositories
- Share through academic social networks
- Include in books, monographs, or other publications
- Post on personal or institutional websites
Requirement: All additional distributions must maintain the CC BY 4.0 license and proper attribution.
5. Self-Archiving and Pre-Print Sharing
Authors are encouraged to:
- Share pre-prints and post-prints online
- Deposit in subject-specific repositories (e.g., arXiv, bioRxiv)
- Engage in scholarly communication throughout the publication process
6. Open Access Commitment
This journal provides immediate open access to all content, supporting the global exchange of knowledge without financial, legal, or technical barriers.
